TrollfasthearT – “What?! An Old Pot For All?!” (CD/album review)

Trollfastheart is Black Troll Metal from Spain. A man – or troll – named Kadgar is the sole member of this group.

I bought this 2014 CD because the name of the album intrigued me. “What?! An Old Pot for All?!” is a really good title, if you ask me. Upon listening, I wasn’t disappointed. This really is Black Troll Metal. The music is Black Metal – not raw black, which is my preferred style to listen to – but it contains enough interesting things to keep me coming back.

Track by track:

Beware the Troll Laws. Beginning with a slow tempo that reminds me of Bathory and Crebain. The song begins to pick up steam… these vocals by Kadgar are pretty cool. They aren’t the normal Black vocals. He does indeed sound trollish. The drum programming makes me think of Crebain. Shades of Midvinter. There are quite a few moments where I think of Crebain throughout this album, but I don’t know if Trollfastheart is influenced by that band at all. It just comes to mind with the riffs and drums – not that this is a rip-off in any way! I love Crebain so it wouldn’t matter if Kadgar did rip him off. I want to stress that I always obey the troll laws when I am in the forest, swamp, or on bridges of any sort. This song made me think “This guy’s a fucking genius!”. It stays midtempo for the most part but it isn’t boring. Kadgar is a good songwriter and guitarist.

Croack! Nests of Frogs! – Here we go into the nest of frogs. I love this song. This is old school black metal, not in the sense that it’s got raw production (if anything it’s overproduced – I am a black metal purist) but it has charm and magical power. In fact, now that I think of it, Kadgar’s voice is quite froglike.

The chorus “Nests of Frogs! Nest of Frogs!” is something you won’t hear anywhere else. This album is very unique in some ways.

In this tune, the guitar riff shines because it isn’t doing normal BM shit. The first track is fairly normal, kind of conventional in the guitar (which I like, don’t get me wrong). In this song we have a more rock approach not only in the marching style beat but the guitars are very much rock. As the song moves on it gets blacker, and I quite like it. Kadgar doesn’t bore me. His music is played extremely competently and it has nice twists in the songs that make it – hate to say it since this is Black Metal – an extremely fun listen.

Torture for Acquitted Offenders. The midtempo blast beat accompanied by an interesting guitar riff that isn’t the same thing you hear from every other stinking band, and I like it. What I don’t get is what the song title is referring to? The song picks up steam around the 2 minute mark and grabs you by the nuts, and I’m pretty sure that’s because you, the listener, are an acquitted offender. I think I figured out what this song is about. Killer metal, good guitar, troll vocals. I’m not sure I’d want to meet this guy in the forest. It slows down and the guitars swirl and I’m just going to reiterate that I love this shit.

Bizarre Audacious Fantasy. Bizarre and audacious indeed. The drum patter on display at the start of the song is different for BM. Like I said, this guy is original. He doesn’t stray THAT FAR from the conventions of BM, but when he does, like in the riff that forms 49 seconds into it, it’s very pleasing to my ears. You see, I’ve listened to Black Metal since it was a new thing. People would call it the “Second Wave” but before bands like Darkthrone hit the international scene, we weren’t going around calling Bathory “Black Metal.” We had Venom’s album “Black Metal” but everyone knows that’s just Motorhead singing about Satan. The supposed “Second Wave” is where the good stuff came from. The raw, 4-track, no production, brilliant demos and albums we got in the early 1990s are near and dear to me. During the early and mid-90s there was so much experimentation going on that you could tell one band from another instantly. What I’m getting at is this: I watched Black Metal go from a collective of wacky musicians doing things their own way, to a bunch of copycat children incapable of forming thoughts. Trollfastheart is a band that sticks out in a scene full of absolutely untalented garbage. The bands today that get attention are shit for the most part, and bands like this don’t get the recognition they deserve. I haven’t heard a guitar solo yet and we’re four tunes into this album, but the riffing is good, simple, and original. It’s not overly simple – half the bands out today couldn’t form riffs like these.

This song is an instrumental, and it’s good. A nice journey through the trees, as black metal should be.

What?! An Old Pot For All?! Wow, what can I say. After a full song with no vocals we are immediately thrust into this troll scolding us for something. The vocals are cool and original and I like how they flow. The riff’s simple, the drum is just pounding at you like a troll making some kind of obscure tool used for digging holes to find worms to eat and/or use for fishing!

This song doesn’t let up. It just kind of keeps hitting you. Many people 2 minutes in to this will be scratching their fucking heads. This is the kind of shit I enjoy. It’s different. It isn’t far out, but it’s different enough that it makes me give a shit. 2:40 or so we get a nice change of pace with clean guitar. This song is insane.

Remotest Feeding Methods. Bathory vibe in this one. Good original riffs halfway through. Picks up tempo in the end. The troll is still yelling about something. I don’t know what the remote feeding methods are. I feel like I should learn. This isn’t my favorite on the album but the album is so good that it’s not like I’m saying it’s a bad song. This one is just firmly regular Black Metal, except for the vocal which is Trolly as fuck.

Beheaders of Slag Alive. Good thrashy riff kicks the song off and flows directly into a standard BM riff. Reminds me of alot of stuff but is still good enough to not make me write this band off as copycat nonsense. It’s still holding my attention. There’s a riff I really like at around 1:30, where the bass holds the same note like a villainous Van Halen. It’s perfect. Beheaders of Slag indeed.

Hate Is Foolish Of Nasty Humans. AAaaaaah! Oooh! This song starts blasting away and barraging you with a fast paced troll vocal, slower but reminiscent of the title track. Double bass, midtempo onslaught. Usual twisting from riff to riff here. If I can say anything about this project/band – it’s that the riffs are good, and Kadgar actually thought about what the fuck he was doing. There are so many bands that can’t write a riff. This guy can come up with his own style of riffs. I enjoy hearing that.

There is a cover of Darkthrone “Circle the Wagons” on here but I don’t give a fuck about “Circle the Wagons”-era of my beloved Darkthrone, so I just will ignore that it’s here and leave it at that.

I recommend this album to anyone who wants to hear what Spanish Troll Metal would sound like. It’s an album that I return to sometimes just because it’s different than other records in the same vein. Is it the most special, crazy stuff out there? No, but it IS what it says it is. A troll that makes music. I need to listen to the rest of this guy’s albums. Well worth your support.

Active musician, the person responsible for - or involved with - cult projects as Tjolgtjar, Xexyz and many others, and the main person behind our wrestling coverage.

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Drowning: Lost City Riders (a 2008 TV movie review)

Lost City Riders, well, its title, has caught my attention almost immediately. I admit, I am a sucker for “lost city” stuff.

I’ve watched the movie once before, but I don’t remember anything of it, which is usually a bad sign, however, with the plethora of movies (and other spare-time-killing activities) available, that’s not really something to go along with – and you probably agree, you remember movies from your childhood, but hardly something you’ve watched a month ago on Netflix.

That might have to do something with the overall quality of the modern cinema, but I guess I am digressing here a let’s get back to our flick.

The movie was directed by Jean de Segonzac, mostly known for directing episodes of various TV series, and starring James Brolin, Ian Somerhalder, Bettina Zimmermann, Jamie Thomas King, Elodie Frenck, Michael Mendl, Jeremy Crutchley and Benn Cross,

Well, Lost City Riders is not a movie you’re gonna remember. A co-production between German TV channel ProSieben and Sci-fi Channel (before its rebranding to SyFy Channel), you’ve seen the plot rehashed a million times before (and couple hundreds after 🙂 ).

The global warming caused the flooding of the Earth, only 10 % of the surface is habitable, and we’re encountering our – you’ve guessed it – Lost City Riders, a family unit (a guy with two adopted sons), raiding the submerged buildings for profit.

Our family unit planning the entering and escaping.

Unbeknownst to his two adopted sons Jack (Ian Somerhalder) and Thomas (Jamie Thomas King), their stepfather John Kubiak (James Brolin) is on the mission of finding the legendary scepter of Sobek, Egyptian god of Nile, who – according to legend – controlled by it the rising and falling down the waters of the great river.

And as it’s usually the case, he’s not alone! Enters Nicholas Filiminov (Ben Cross) as a nefarious businessman trying to claim the scepter for himself to – well, you’ve guessed it again – make money!

Our villain Nicholas Filiminov (Ben Cross) confronting Giovanna Becker (Bettina Zimmermann)

To complete the picture, we have Bettina Zimmermann as Giovanna Becker, Jack’s old love, and because it would be bad to leave the other boy alone, here comes the rescue in the form of Elodie Frenck (Cara Cahill).

You know how it plays, right? Yes, it’s pretty straightforward, with a bad underwater CGI effects, the story doesn’t allow for any twists or surprises, but the scenes in the Chinese cave (yes, we are all over the world, from Vatican to Dresden to Chinese cave system) with the secret room built in it got me in stitches. The acting there was on the level I’ve expected it turning to a scene from a adult video movie any second! Anyway, don’t shoot at the pianist for the piano not being in tune, as they say.

Putting the rod into the hole…or something like that.

I am not sure if it’s me getting old and more tolerant of everything, but I myself was surprised to actually watch the whole movie without any interruptions. I think I can safely state it was due to the level of watchable silliness on the TV screen, quite certainly unintentional by the creators of the movie.

But it’s about entertainment, right? In that case, they’ve succeeded.

Not that I’m gonna re-watch it any time soon (if ever).

Official trailer:

Fragment Soul – Axiom of Choice (a review)

The link for these Greek doom melancholics arrived to my mailbox a long time ago, and I’ve almost forgotten about it. Yes, I know. Im am irresponsible sometimes.

However, I’ve started my spring cleaning also in my accounts and so I’ve come across Axiom of Choice – and what a beautiful album it is.

4 long compositions in 3 seconds over 42 minutes, that’s the progressive doom dessert from Greece. No feta cheese, though, that’s for sure.

You might know already that my musical tastes are all over the place, and although some might argue it won’t allow me to concentrate fully on a particular genre, I think it gives me an opportunity to enjoy music without too much of a comparison.

And therefore I can enjoy Fragment Soul and their work of art for what it is. And it’s a beautiful, melancholic, gloomy collection – however, not a depressive one, I’d say. It’s something you would play during the rainy day, laying alone in your bed and just floating in space of your thoughts and memories. For the fans of Draconian it might be pointed out, that Heike Langhans collaborated on this album, and there’s also a guest person – Egan O’Rourke from Daylight Dies.

I like it a lot. For a seasoned fans of the doom genre it might not be earth-shattering, and I’m not gonna argue it is. But if you want to spend 42:03 minutes of your life with an aural balsam for your ears and soul, this might be something you might like to check.

Album stream:

Malauriu – Malauriu (a 2022 album review)

Recently I’ve lent my ear to some nice black metal releases, so when I’ve got this promo from Italy for a review, it’s been only a matter of time when it will attack both my ears.

…and the day has come.

Malauriu are certainly no new-comers, haling from the Italian underground since 2013. I am not familiar with their previous output, but with the opening track, “Morto Era L’oro”, it is clear what they meant by “a new chapter of experimentation between dark ambient and Mediterranean sound”, which was the description they’ve used in the promo e-mail. Well, they haven’t lied.

The album contains 4 long compositions, the shortest one clocks in 10:52 (“Corpo Tempio), the longest will stay in your aural orifices for almost 12 minutes (11:50 long “Specula”).

A mix between ritualistic darkwave and a poetry reading, lyrics in Italian, along with the music itself, evoke the best moments of watching Italian horror/occult/supernatural movies – minus the video segment, of course.

Not much of a black metal per se, nevertheless, this is right in my comfort zone, as I’ll never say no to the atmosphere inducing soundscape.

The album will be released on April 1st, 2022, in a CD and digital format via the Italian label Nero Corvino, so if that’s your kind of music, you definitely won’t go wrong getting it.


Costectomy/Nyctophagia – “Drone Hunting Missionaries For Sport” (a 2021 split review)

After some time spent checking not so usual music with my other webpage Indokult, dedicated to the Indonesian music , I’ve started craving some more unhinged underground music again. To be precise, good old goregrind and gorenoise. No, I won’t call it a “fix”, haha, but truth is – sometimes it’s just what the doctor has ordered. You know…going full circle and so forth…

Now, with the genre selected, the next important question was – with so much to choose from, what to play? For that, I’ve checked a Olga Lazarus’ new label Strangulation Furrow on Bandcamp. You might remember Olga from the interview I did with her for the Rubber Axe webzine here. Since then she’s relocated to the USA and started a new label, it’s only logical to show her some support! Yes, freaks, some support!!!

Olga is a busy bee and so far she has released some nice releases (mostly tapes, but also a CD and a 7” EP), plus she’s printing the t-shirts herself. Talk about some dedication here!

So, with that being said, I’ve chosen to review a split between Costectomy and Nyctophagia titled “Drone Hunting Missionaries For Sport”. 14 groovy tracks in total.

A tape version from Strangulation Furrow label

First to offer the putrid sonic fruits is Costectomy, which is Chud’s (Ulcerated Offal, Cystoblastosis, ex-Hit-Run Drivers etc.) project based in Eliot (Maine, USA). 6 tracks in total of great sounding goregrind (yes, the aforementioned groovy kind), enriched by the samples from the horror/gore movies, exactly the way I like it. You know, I love intros/outros! Damn, thinking about that, I am pretty much easily pleased, haha! Well, it’s true. However, when you are faced with stuff like this, that’s not so hard. Great stuff here. Oh, not to forget, the last song is a cover of Dysmenorrheic Hemmorage, “Affliction”.

The rest of the release belongs to Nyctophagia, currently an 1-man unstoppable grinding machine from Ohio and if you can count on your rotten fingers, you know that means 8 tracks left to enjoy!

Unlike Costectomy, Nyctophagia plays more of a little faster death/grind, more of a bulldozer than a groove, however I can’t complain here neither and so won’t you. Really, what’s here not to enjoy?

The split is over almost in no time – which is probably the only negative I can say about it. For those collectors of the physical release, this was released in 2021 on a pro CD-R by Costectomy Records (but according the info it’s already sold out) and Olga’s label has released it on in a tape version. Go check and grab it while you can!


VA – Gorenoise megasplit vol. 1

It’s been quite a while since I’d reviewed anything gorenoise related. Gorenoise Megasplit volume 1, the compilation I’m going to write a few words about, was sent to me by our friends in the Italian label Nosevomit Records quite a long time ago, and I am ashamed to have waited for so long before reviewing it. Well, time to wait is over, let’s have a look how ugly this boy turned out to be!

Opening the compilation is Italian gorenoise project Bronchospasm with the track “Pneumoconiosis”, the cool 4:05 track and it’s quite interesting, not the typical blasting sh*t I’d expect, it’s more like an experimental noise track, with drums beats here and there, but straight away, I am impressed and I need to check this project little more closer. And, by the way, they are associated with this little record label:

The second to dissect is another Italian pathology combo – Conforming To Survive – with the three tracks, “Severed Mutation of the Upper Limbs”, “Gnawing the Intestines” and “Cursed Flesh Grimoire”. Rehearsal recording, with a rather goregrind/noise chaos, and again, I am revelling in this! Building from the shortest track to the longest one (which clocks in 3:39), there’s plenty of filth to like here!

But then…it’s a gorenoise proper! American project Hydroencephalocystocele steals the show with its “13 Traxx Untitled” and for all those looking for a really cool gorenoise, now it’s the time. Bubbles and noise, what can go wrong, right? I’d welcome more variability here, but otherwise, can’t complain.

Mucopurulence’s section opens with a cool intro, which intro-duces (lol) us to to f*ckin awesome goregrind track “Copro Corpse Copulation”. This stuff raises the dead! Mucupurulence hails from Finland and because they kick ass, they offer 5 tracks here – Copro Corpse Mutilation, Putrid Bile of Shit, A Collection of Colons and Entrails, Ceaseless Violent Defecating, Choking on Swollen Tongue and Vomit – all the future classicks, I am sure! Not too long, not too short, they are perfect! I really enjoy these, and the song titles remind me of the times we used to come up with the most insane titles too!!!

This nice compilation closes with 5 gorenoise tracks (Adiction, Another Disease; Ear Atrocities, Head Hole, Inhuman Glass and Taenia Solium) from Saccopharynx. This Mexican project offers an interesting mix of blasting drums, bubbling, gurgling vokills…and probably even a kitchen sink thrown in for a good measure, and it works.

The whole compilation can be heard on the Nosevomit’s Bandcamp, and what’s even better, you can get a CD-R of it too!!! What are you waiting for then?

Where fire burns eternally: Eternal Kingdom of Fire, volume 5 (digital promo review)

Those of you who read the Rubber Axe regularly, will might recall the review I’ve written for a previous release of this compilation series, namely volume 2.

Well, time flies and a few days ago a new batch has arrived to my mailbox, this time it was the latest invocation, namely the volume 5.

10 bands, 10 songs. However…what songs these are!

Opening this compilation tape is Winter Eternal from Greece (lately of Scotland, according to available information) with the song “Crown of Stars” (also on this project’s 2021 full length “Land of Darkness”). F**king brilliant tune, I can hardly think of a better opening. Interesting, well thought of, well played. And a well received here, that’s no doubt about that. I like the use of instruments and the melodies.

Russian strikeforce Ophidian Malice, on the other hand, take no prisoners and relentlessly bash the listener with their furious black metal vibe. “Saviour” is the song from their debut 2021 full-length “Disgusting Ritual” and it definitely shows the band in the good (un)light.

So far, I am really enjoying the comp.

With Skorbvstr, the raw black metal ferocity from Kentucky (USA) we have first exclusivity here, as I think their song “Diskusjonen er avsluttet” is available here only. I might be wrong though. I am little surprised with the use of, what is it Norwegian language?…but the guy might be from Scandinavia, so there’s that. As for the music, I have to admit I am starting to develop a certain liking for the raw BM (which, as many might know, is not one of my favourite subgenres), and there are some elements I really enjoy here.

“Pain Enshrouded Dirge” from Desecration Rites is our very next song, and the second longest offering from this compilation. I’d say there’s a certain inspiration from old Burzum (which is not a bad thing, what do you think?), and even it delivers the goods (so to speak) even with the simplicity of melody, riffs and hypnotic drumbeat. Well, you know…the old school, the good way.

Alpgeist hails from Bavaria (Germany) and presents to you their hymn “Moor in der Todtenau”. Yes, I can definitely say I like this approach a lot more than the raw BM subgenre. Dark, melancholic and melodic, I really like the guitar riffs here…the whole song is one welcoming energy boost in my current depressive mood. Can a black metal song be viewed as a positive booster? I’d say so, so this applies. I am really loving this one.

Zmyrna can be classed as Alpgeist’s neighbour, as guys come from Czech Republic, and their “Pagus Maledictus” offers yet another fascinating look into the black metal subgenre – guys not only sing about mystical stuff and medieval life, their music also evokes the fires of the dark ages and the suffering through the ages. This song is certainly a weird one, very unexpected, but as I’ve said – fascinating (in a good sense). The song itself comes from their only material to date, the 2021 self-titled EP.

And now, ladies and gentlemen – the longest track of this compilation. Necrodes and “Swept Away”, from its 2021 full-length “Isolation”. Wow, what a vocal! Imagine maniacal, hysterical cries with some gurgling and you might start to have an idea. Although, I guess the best bet is to have a listen. However, I think more of DSBM than atmospheric BM here, but that’s just my opinion. Unfortunately, these days I am rarely fond of long compositions and I’ve got a little bored here, sorry.

Necrocarnation hails from Germany now, but from what I could find, they are from Argentina, and on this nice compilation they bring to your attention their black/death metal sacrifice with their song “Antarctic”, which is also the opener of their 2020 EP “Fragments of Dark Eternity”. And I have to say, I like this stuff! Especially vokills, which sound really killer! Kudos to the compiler, as I really welcome the diversity of the subgenres while still being true to the black metal genre as a whole.

Finnish duo Svartheim play strict black metal, which might sound a little generic nowadays, but I think they are aware of that, so they enrich their song “Vaiettu” (which comes from their 2021 full length debut “Black Metal Finland”) with the interesting dual vocals. And it works. Personally, I don’t really give a damn about similarity between songs or bands – if I like it, I like it, period. And Svartheim would be on my playlist. It’s simple, yet effective.

And the last band to enjoy from this compilation is Necro Forest from Croatia, with the song “Hate Divison”. Raw black metal, with little NSBM leaning, I’d guess. I am little disappointed with the sort of a ripping off Mayhem’s “Freezing Moon” in the beginning of the song , because when it starts properly, it’s not bad at all! But I think Norwegian legends have their impact on many bands…it’s not that big of an issue, but I thought it would be good to mention that. Also, likeable song.

So, that’s all, folks. Good, bad? Well, for me, undoubtedly a great compilation. I think I can safely say – I can play this without skipping a song. And that’s quite a feat.

Get it from Ancient Cult Records, while you can. Get in touch with the label via e-mail:

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