Hello, Silvester, I guess it’s a silly question to ask the scene veterans like you, but there are still many people who might not encounter your band before, therefore, a legit question – can you introduce Fondlecorpse to the readers of the Rubber Axe webzine? What can you tell us about the beginning of the band? As you were active in bands before, did you want to do something similar to the material of those previous bands, or try a new direction?
We’re no strangers to Russian underground scene – but we’ve only started to dip in the large reservoir of the sounds and noises coming from there. That’s why I always welcome the opportunity to learn more about various artists/labels from Russia. You could be familiar with Olga Tlen (and you should), and now, let’s welcome another noise artist – Sergey Krechetov.
Excoriation hails from Russia. A three-piece band from the Moscow area offering up splattery and slammy death metal. Their self-titled debut album on New Standard Elite remains one of my favorite death metal albums to blast in the car. Heavy, unrelenting, absolutely bulldozing music which puts me in a nice meditative state! Perfect driving music! Keeps me sane in a world of terrible drivers. I mean seriously, would you rather sit in traffic listening to some blabbering on the radio or put yourself in a mental trance of heart-pounding blastbeats? I choose the blast.
One of many things I love in exploring and discovering new genres, labels and artists is the variety of opinions, the untapped reservoire of sounds, melodies and (dis)harmonies – not to mention absolutely fantastic approach of people to each other. The instant and constant cameraderie is a feeling to be felt and a real thing indeed. And that’s why here in the Rubber Axe we strive to give a shout to people who deserve the appreciation.
Today, dear folks, we had Jay Watson from Placenta Recordings here and we’ve had a blast time chatting. About what? Well, see for yourself…
When I’ve reviewed 2002: The Rape of Eden, I’d immediately known I would need to get in touch with the director of that little flick to learn more about him and the movie. You know, you can admire the work of the great directors, Fellini, Kubrick, what have you, but with independent, low/no budget guys, that’s a true fascination and movie lovers’ affair.
I was glad Sam Auster did find some time to answer my questions, so, without any further ado, let’s see what he has to say…